Sunny Hostin, the lawyer, author and co-host of“The View,”has signed a deal with AI startup Fountain 0, licensing her name and likeness so she can adapt her bestselling“Summer”novel trilogy into film and television. Her reason: six years of what she calls insane gatekeeping in Hollywood around Black and Brown creative content. Hostin calls AI a new art form, one that can carry a finished project straight to a streamer and skip the traditional gatekeepers entirely.
The reaction from Black creatives was swift. Actors, singers and screenwriters argued that AI doesn’t open doors, it removes the people already standing in the doorway. One critic summed it up simply: feeding our work to AI is not the answer. The pushback isn’t about whether Hollywood has a diversity problem, most everyone agrees it does. It’s about whether automation is a fix for exclusion or just a different kind of exclusion.
The timing matters too. The Tribeca Festival just premiered its first fully AI-generated film,“Dreams of Violet,”so this debate isn’t theoretical anymore. It’s playing out in real time, in real festival lineups, with real jobs on the line. Supporters see a new creative tool. Critics see working artists getting the short end of the stick again. What do you think: should AI be a shortcut past Hollywood’s gatekeepers, or should the money go to human storytellers instead?

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Ava Hart
Ava Hart is a contributor to LocalBeat, covering local news and community stories.





